Each
region has its own special design and colour schemes, the ancient art being practised in
many places in Gujarat. The bandhanis of Jamnagar and Bhuj are distinctive in design,
craftsmanship and ornamentation. The dyer first bleaches material like cotton, silk,
georgette, crepe or satin to prepare it for the absorbtion of the dyes. He then folds the
cloth two or four-fold and prints the designs in geru (red clay) mixed with water. He ties
a thin thread on the lines of the printed design after raising a small part of the fabric.
The textile is then dipped in the first light colour. The tied areas retain their original
colour. This is repeated throughout the fabric. During the second dye proces the areas
that need to retain the colour of the first dye is securely tied for resist and the cloth
is then dipped in a deeper colour. The process may be repeated for several colours. When
the fabric is ready, it is washed to remove the excess dye, but the ties are not opened
till the buyer wishes it. When opened, the cloth remains evenly embossed at the tie-dots
and generally shrunken due to tight tying. A special fabric for a brides marriage
called gharchola is tie-dyed often in figurative patterns arranged in square compartments
created by brocade or gold or silver embroidery. Bandhani odhnis, household linen, ties,
scarves and lampshades are popular items.
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