During
festivals and celebrations, women decorate their homes by drawing distinct patterns on the
walls, ceilings and floors of their homes. This region has been exposed to many religious
influences, thus buddhist and tantric imprints on local motifs are visible. It was in the
sixties, due to natural calamities, that the idea occurred to transpose the art onto
paper, so that the paintings could be taken to other states and sold to gather Relief
funds. There are different designs for each occasion and festival - birth, marriage, holi,
suryashashti, kali puja, durga puja, etc. Apart from their decorative purpose, they also
constitute a form of visual education from which one learns of one's heritage.
The
beauty of Mithila Arts lies in their painstaking detail. The painting done on handmade
paper which has been rubbed with cloth dipped in a mixture of water and the residue
obtained from sieving cow-dung. The paper is then left to dry which makes it firm as well
as free from insects. The brush used is a cotton-tipped-broomstick dipped in colour pastes
obtained from natural sources like the leaves of beans, leaves of mango tree, grass,
parijat flowers soaked in water, mehndi mixed with water of cowdung, skin of pomegranates
and oranges. The resin which is collected from the mango, neem or babul tree is mixed with
water and added to the natural extract to make the colours thick. The resin also makes the
colours fast and gives them a shine.
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